Yati gave a research paper on the Saundaryalahari audio-visual collaboration papers, together with the Audio Leakage Community, at the Inaugural stsing Conference at TU Dresden on 20th March 2024. The conference, in collaboration with TU Dresden, focusses on overlapping or “leaking” in sound and visual arts and practice. Yati’s work on the Saundaryalahari, including it’s innovative collaboration and performance methods are published by Edinburgh University Research Gate and at this website: http://www.yatidurant.com/saundaryalahari-a-players-guide
Direction of IMMSANE Berlin 2024 Congress 16th - 18th February 2024
Yati will be directing the 3rd IMMSANE Berlin 2024 Congress, 16th -18th February 2024, at the Nordische Botschaften Berlin and the Film university Babelsberg KONRAD WOLF. The events are also in collaboration with Harpa/Nordic Film Music Days and Soundtrack_Cologne.
The programme and registration links to IMMSANE Berlin 2024 are here.
IMMSANE is a non-profit organization approved by the Swiss government: ESTV-ID: 052.0335.1276
Jazz tour of Sicily November: gigs at Blue Brass Jazz Club Palermo and Marsala
Yati is touring Siciliy as special guest trumpeter for Giuseppe Vasapolli’s jazz trio at the Blue Brazz Jazz Club 24th and 25th November, and a gig in Marsala on 26th November 2023. Along with playing with pianist Giuseppe Vasapolli, other band members include Valerio Rizzo (piano), Giovanni Villafranca (double bass), and Paolo Vicari (drums).
More information and tickets here: https://www.brassgroup.it/en/blue-brass-2/
Residency and performances with Audio Leakage Community at ISPOD BINE Sound Art Festival Nov 9 - 13, 2023 Split, Croatia
Yati is joining the Audio Leakage Community (Budhaditya Chattopadhyay / Bojana S. Knežević / Franziska Windisch / David Helbich / Yati Durant) for a research residency and performances at the ISPOD BINE Sound Art Festival from 9th - 13th November 2023 in Split, Croatia! The project we will be undertaking there is called Co-composing Split, and involves researching various interactions, improvisations and sonic/architectural practices and methods that intersect each other when creating sound and music together.
The interesting project is open to the public and will take place at various locations in Split. More information here.
This performance practice research will compliment and substantiate the writings that are going into an academic journal in 2024 of Contemporary Music Review, entitled Co-compositional Theory and Practice, edited by Yati Durant and Eleni-Ira Panourgia.