Soundtrack Cologne 19: interviewing composers, artists, and moderating the jury (as usual)

Next week, 8th - 11th June, Yati will be fully tasked with interviewing composer panels, artists and industry professionals and academicians, as well as continuing with his traditional role as European Talent Award jury moderator and presenter at Soundtrack Cologne 19. Too much is here to be said, but this year Walter Murch is the Lifetime Achievement Award recipient! So, more information here: https://www.soundtrackcologne.de

Yati will be giving a presentation paper on the Saundaryalahari Project at the Convergence Conference hosted by the Royal Conservatoire of Antwerp 20th - 21st May 2022

Yati will be presenting his latest research on reciprocal audio-visual practice and new works on the Saundaryalahari Project at the Convergence Conference at the Royal Conservatroire of Antwerp 20th - 21st May 2022.

Yati’s presentation, Saundaryalahari – genesis of a reciprocal audio-visual music practice, will be held toward the end of the festival at 16:30 on Saturday 21st May.

The event looks very interesting for academics and sound artists in the fields of Synesthesia, Congnitive and Generative Music and Semiotics. For further details about the programme here.

Yati is invited to MCM Marseille and FMF Krakow film music festivals in April and May 2022

Yati will be heading to the Music & Cinema Marseille festival (6th - 9th April 2022) and the Film Music Festival Krakow (26th - 29th May 2022) to direct the IMMSANE meetings at those festivals. The festivals look incredible and there are many exciting events there, screenings and concerts as well. See you there!

For more information:

https://www.music-cinema.com/en/

http://fmf.fm/en

Contemporary Music Review special issue, George Crumb: Style, Idea and Performance Practice edited by Yati Durant, published!

A dear project to me has now finally been completed: I can proudly present the publishing of a special issue on my mentor and composition teacher, the late George Crumb, in the latest issue of Contemporary Music Review, Volume 41, Issue 1 (2022). The issue is titled George Crumb: Style, Idea and Performance Practice published by Taylor and Francis. I have edited this issue with contributions by many other leading International George Crumb scholars, Robert C. Cook, Kristina L. Knowles, Abigail Shupe, Marilyn Nonken, and Philipp Lalitte. In this issue, I have also added a series of interviews I made with George Crumb between 2013 - 2018.

The entire issue can be found here: https://www.tandfonline.com/toc/gcmr20/41/1